The Vaudevillian is something more than an anachronism – something bigger than a simple paradox in music – they are a debonair tour-d-force amongst the benign and predictable, they are earnestly and honestly a refreshing hark back to when music belonged to the people.
Jitterbug James and Norah Spades are lovers and partners in crime. He, the brash upstart who loved the songs of the dangerous times when Scott Joplin and Babe Ruth dominated the airwaves – when style and science broke new ground – when innocence was waning and the world was opening up wide. She the smart cookie, the piece of the puzzle that fit oh-so-well and made the music pop. The addition of the final piece of the puzzle was Piedmont Johnson, he of true Southern heritage and real dirt road chops, never a step away from the wellspring that gives birth to the rollicking, rocking joyride that you experience with any Vaudevillian show or record.
The story is real, the journey has just begun and we have a real sweetheart of a show with some amazing live performances and some choice tracks from their new Busted Flat Records release – Bringing Satan Down. It is left to be determined if these three want to bring the dark lord to his knees, or if they intend to merely bring him down for a hell of a party and a wicked jam for the ages – but we’ll let you know when we find out.
The Vaudevillian is a hoot, a howl, and a seriously good time for people of all walks – a trip down memory lane with brand new stories. This is a good one and it’s right here, on Barber Shop Podcast.
We just love it when a young up-and-comer drops by the show as they ascend, phoenix like, into the upper echelons of the music industry – it gives us hope for the future. Sure, there are many great shows in the bank here at Barber Shop Podcast with many talented and fascinating individuals, but it is nice to be around for that brief period when youthful energy and a whirlwind of buzz is taking a special individual to their desired and deserved orbit.
Destiny is often referred to as when preparation meets hard work, and Sophia Radisch is indeed a child of destiny. Only 18, this remarkable young woman began performing on stage at the tender age of 12 – long after she had begun demonstrating obvious skills in musicality and prose. Possessing a vivid 3D imagination, the burgeoning artist was fostered by a keen and attentive family and soon caught the eyes of those in her hometown of Ottawa. As her repertoire grew, so did the buzz about this girl who could sing and write like someone much older and worldly, but still possessing the guileless innocence and earnest mannerisms of a genuine sweetheart. The phone kept ringing and record production led to film scoring led to musical stage and media exposure in an ever increasing regularity. Picking up a sponsorship from Gibson Guitars made the cynical observer give this young girl her deserved dues and being featured at NAMM recently allowed many of her fans from around the world to meet and interact with the redhead in the top hat they like so much.
Well, we were lucky enough to snag her for an hour in mid April 2017 and what a pure joy this evening was. Playing five live and showing off a sweet video, we get to know her a little better, and you can too. Here is her now – age 18, with a world of opportunity ahead of her. Something tells me Sophia Radisch is going to do just fine, and I for one will be cheering her on.
Beloved is the best word to describe the duo of Shari & Jonny, two kindred soul singers who found their common voice thru divine necessity, the alchemy instantly good and forever etched in our collective minds. She, the seasoned stage pro and master of so many classics, and he, a young natural – phenom guitar player who either knew, or anticipated her ever nuance right from the get go. When it came time for him to sing, the recipe for beautiful music was complete, as the boy turned out to have quite the set of golden pipes himself.
What followed was many performances and many hours under the lights, delighting the spoiled patrons of the city with their blue-eyed soul, R&B, roots and classic AOR cuts done with a special interplay that led so many to demand a record of their own – and so they did.
Writing together was a new stretch, but sure enough, the words came to the lips and the fingers formed the chords on which those words rode, one after the other. Not always an easy affair, the songs produced bore witness to their creators easy harmony and all rejoiced.
This early April Wednesday saw the two in genteel spirits and proud anticipation as they made their debut appearance on episode #226, finally being cornered and captured for our enjoyment – the result of course being your enjoyment as well.
Sit right down, grab a beverage and enjoy yourself an hour of Shari & Jonny in the friendly confines of Barber Shop Podcast.
Country music fans are a loyal bunch with long memories, but many of them, like the rest of us, have let the memory of Thomas Wade slip away from them. This guy was the right age, sounding the right way at the right time when the “New Country” sound was blowing up and he was everywhere thanks to CMT, huge radio rotation and sold out tour dates. Add songwriting for the likes of Celine Dion all while riding a wave of success with his band Thomas Wade and the Waywards, and he could be forgiven for believing the world was fair and good, and his life was unfolding just as it should…….and then life happened.
It took a bit of time, but Thomas Wade started to realize he was losing his voice and in doing so, his livelihood. The very thing that had allowed his thoughts and visions to come alive and actually produce an income to support his wife and new child as well as his band family was slowly being taken away. Fighting against the debilitating effects, he managed to twist and channel his voice into something tonally acceptable, but the end was in sight – and it wasn’t pretty.
The better part of a decade ensued where the man in all his determination changed paths and perused excellence in another field, but singing was the furthest thing from his daily mindset – you see, he couldn’t even TALK for 2 years.
Well, those years are in the (recent) past, and at age 56, the spirit and belief in his eyes are those of a younger man – possessed with music that sweeps across the years and the genres – still in the prime of his passions, still with the songwriting and musicianship he has within him. Now however, there is a grateful maturity and a true sense of purpose as Thomas Wade takes a deep breath and strides to center stage once again to do what he was always meant to do.
Music is art, it’s expression, communication in it’s most accessible form. From the beginning of time, stories and life lessons were shared between the generations with the use of music. Before there were IMAX 3D screens at every big mall, the nuances and subtleties of the story-line was fleshed out vividly with the living soundtrack.
Things are a little different but the gist is the same, every song has a story, and every story has an author. The problem lies in popular music wherein the songs are written by some 40 year old Swedish guy and run through an algorithmic processor before having the banality teleprompted to an pitch-corrected poster child for cosmetic surgery.
Ummmmm… ok, a bit harsh perhaps but it is important to compare the McDonald’s style of music to the jambalaya that is Greg Moverley – a singer-songwriter that on first blush is pretty conventional in the expected and approved unconventionality of the day, but it doesn’t take long to realize there is a genuine patina to this dude, something very real. If he were a visual artist he’d be called a primative, not a bad thing in context, meaning self taught, unique, guileless and “untrained” with a streak of innocence. Choosing none other than Hamilton’s Loo King and premier antlerist Dave Gould to produce his record was a natural fit as the unconventional and the unbowed used imagination and feel as their guide and the results are a beautiful thing indeed.
Greg Moverley is what he is and what he is is here and now on Barber Shop Podcast.
B.A. Johnston is a truly Canadian anomaly, heroically Hamilton and a troubadour of hedonistic humor. Inside the head of the the wry realist that The Globe And Mail has labeled “Canada’s New Stompin’ Tom”, the many years of experience travelling the barrooms and campuses of this great land has indeed earned him a uniqely qualified perspective on this great land. Often his songs stem from a turn-of-phrase or jolted memory that he hammers together with his Casio samples or his trusty beater guitar to make deceptively simple, cunningly silly homages to what he thinks, what he sees, what he feels…sorta like an artist except not,
Say what you will about BA. Johnson, he has proven time and time again that everone has a taste in music and if it’s reminiscent of beer and donair sauce, well so be it.
Dropping in on the eve of his St. Patrick’s Day CD Release show at TAH, B.A. sat down with Kev and had a nice relaxing talk about this crazy business and how awesome and awful life can be at the same time.
It’s a very fine day, and this is a very fine show with cuts from Gremlins 3 and the fireside ethos that is B.A. Johnston.
Tim is the one cat in town who knows what he’s talking about the way it is. While others have retreated into history or occasional reunion shows, Tim has been recording and playing live for the good people of the GTA. From his earliest days punking and rocking, the blues were a part of his repertoire and persona. The cool truth that flows from the tru blues masters is something that cannot be approximated by the pretenders. Tim Gibbons has been playing his brand of the blues since the halcion Hess era of the turn of the century when live music was king and his Little Red Blues band with Claude DesRoches and Bucky Buchanan were the kings of kings. This latest and greatest version of Tim, the swamp blues classic to be features those guys as well as a few other rounders of note – and what a note.
Great from front to back – great from start to finish, this night it’s just Tim and Kevin talkin up the town they love and havin a toast to the future – that’s lookin good.
Two years ago we had these two gems on the show and the response was out of this world. Thanks to a sweet viral video of Robin and friend Sam Klass doing a Blondie tune in a car on the way to the airport – almost 5 million people got to see and hear what we in Hamilton know so well – this girl can SING! Friend and fellow songstress Brennagh Burns has her own style, equally as mesmerizing while totally different. Together something magical happens and knowing this, these two came to us on the eve of their kick off show here in town before heading south – Thelma and Louise style – but with guitars….
You get the best of both worlds here at Barber Shop Podcast, the thrill of live, original music right in your home and a look at two real talents who are doing their thing and living their life – beautifully.
Some cats howl at the door to let you know they want in and others take a little more work. Sean Le Sage is definitely one of those cats, having appeared here with Ian Andrews as one of the Smokin’ Scoundrels – and he is well known around town as a musician’s musician. Shy and reserved, his attitude allows him to practice what so many preach, the art of listening. To play, to write, to sing at the level that makes people take notice – first one must learn to listen.
Showing the affinity and ability to both reproduce the sounds he heard at home and the ones he heard in his head, Le Sage found his inevitable way to the blues, the cornerstone of popular music and the holy grail for those seeking truth and beauty in it’s simple yet complex nuances and woven patterns. Running into him at a local show I was able to corner him and set a date to hear his unique take on the music live on acoustic guitar and a few tasty demos from his upcoming album.
Sit down and grab a nice big slice of the good stuff and ENJOY the music of Sean Le Sage on Barber Shop Podcast.
James Favron is what us old guys call a millennial. Born in a technological saturated environment, the nuances of the poet songwriter is often buried in the bits and bytes we feast so lazily upon. Fortunately for us, these are a shitload of them out there, and many of these exquisite 20 – something’s possess a steely eye and a finely tuned ear to the power of the beautiful word and the magic of music.
Born and raised in Rexdale where the city greys, the home life afforded him gave the tools and inspiration of many styles of music and the nimble mind and fingers of James Favron began to explore brave new worlds. Stockpiling ideas into lines and lines into songs was – and is – a process that must be worked thru with diligence and purpose, the eager faithfulness of youth surely rewarded in due time. Life, mairrage, children, all followed and a move to the sleepy enclave of Dunville in Southern Ontario has provided the nest for his creative hatchlings to grow.
This night was a good one – the guests were spot on and the music, as you will now hear, is as legit as the summer nights are long. There’s a lot in store and you’ve got a front row seat right here on Barber Shop Podcast.